Caped Crusaders in the Neoliberal Age
The blockbuster superhero movie: popular entertainment or capitalist propaganda? This book investigates the 21st-century superhero's underlying political agenda.
In the same way that Stallone and Schwarzenegger played film heroes who came to embody the values of Ronald Reagans aggressive conservative agenda in the 1980s, the 21st-century film narratives of Batman, Spider-Man and Superman reflect the policies of the Bush Doctrine after 9/11. This book offers a groundbreaking study of the relationship that exists between post-9/11 American politics and the contemporary superhero movie phenomenon. No other Hollywood subgenre was as consistently popular during the George W. Bush presidency, as films such as Spider-Man, Superman Returns, Iron Man, and The Dark Knight embodied the key contradictions that inform the cultural and political life of the post-9/11 years. By combining in-depth analyses of numerous major superhero films from this era with astute readings of contemporary critical theory, this book offers accessible and academically potent insight into the complex interplay between politics, ideology, and entertainment in the 21st century.
Writings on Depression, Hauntology and Lost Futures
Constraint as Liberation in the Era of Digital Film Theory
Towards a New Technology of Making Sense
David Lynch Destabilises The Spectator
Speculative Realism and Literature
Politics and Humanity in American Film
Stephen Lee Naish
Confessions of a Movie Autist