Identity, Status, Structure and The Stranglers
If the Sex Pistols and The Clash represented punk's sacred, then The Stranglers were its profane. Strangled sets out to explain why discussion of this most taboo of bands has for so long been silenced-a collective cultural Omerta.
The Stranglers occupy a paradoxical position within the history of popular music. Although major artists within the punk and new-wave movements, their contribution to those genres has been effectively quarantined by subsequent critical and historical analyses. They are somehow "outside" the realm of what responsible accounts of the period consider to be worthy of chronicling.
Why is this so? Certainly The Stranglers' seedy and intimidating demeanor, and well-deserved reputation for misogyny and violence, offer a superficial explanation for their cultural excommunication. However, this landmark work suggests that the unsettling aura that permeated the group and their music had much more profound origins; ones that continue to have disturbing implications even today. The Stranglers, it argues, continue to be marginalised because, whether by accident or design, they brought to the fore the underlying issues of identity, status and structure that must by necessity be hidden from society's conscious awareness.
For this, they would not be forgiven.
A study of Jewish identity politics
Why People Get Rothko But Don't Get Stockhausen
All the songs of David Bowie from '64 to '76
Imagining the Next Millennium of Human Music-Making
Pop-cultural wars on class and gender
Rhian E. Jones
Essays on Fame, Death, Punk
pop music, feminism, neoliberalism
Black Metal Theory and Ecology
From Public Enemy to Pussy Riot - Dispatches from Musical Frontlines
An exhibit catalog for the end of the world