Despite humanity's gradual ascent from clustered pools of it, slime is more often than not relegated to a mere residue—the trail of a verminous life form, the trace of decomposition, or an entertaining synthetic material—thereby leaving its generative and mutative associations with life neatly removed from the human sphere of thought and existence. Arguing that slime is a viable physical and metaphysical object necessary to produce a realist bio-philosophy void of anthrocentricity, this text explores naturephilosophie, speculative realism, and contemporary science; hyperbolic representations of slime found in the weird texts of HP Lovecraft and Thomas Ligotti; as well as survival horror films, video games, and graphic novels, in order to present the dynamics of slime not only as the trace of life but as the darkly vitalistic substance of life.
An analysis of the ways in which capitalism has presented itself as the only realistic political-economic system.
How internet subcultures are conquering the mainstream, from from 4chan and Tumblr to Trump and the alt-right.
Collected essays on popular culture by a major critic.
A feminist dissection of women's bodies as the fleshy fulcrum of capitalist cannibalism, whereby women are both consumers and consumed.
Exposes the dark heart of contemporary cultural life by examining pornography, consumer capitalism and the ideology of women's work.
These writings chart Harman's rise from Chicago sportswriter to co founder of one of Europe's most promising philosophical movements: Speculative Realism.
An examination of why modern art can be easier to appreciate than modern music.
This book ponders the fate of the movies in a world of digital media, globalization, and massive financial flows.
As Hölderlin was to Martin Heidegger and Mallarmé to Jacques Derrida, so is H.P. Lovecraft to the Speculative Realist philosophers.
An analysis of the dead man working and the way in which capital is now colonizing life itself.