Starting from the end of history, the end of art and the failure of the future set out by such ends, Nuclear Futurism reinvigorates art, literature and philosophy through the unlikely alliance of hauntology and the Italian futurists. Tracing the paradoxes of the possibilities of total nuclear destruction reveals the terminal condition of culture in the time of ends, where the logic of the apocalyptic without apocalypse holds sway. These paradoxes also open the path for a new vision of the future in the form of experimental art and literature. By re-examining the thought of both Derrida and Heidegger with regards to the history of art, the art of history and their responses to the most dangerous technology of nuclear weapons the future is exposed as a progressive event, rather than the atrophied and apocalyptic to-come of the present world. It is happening now, opening up through the force of art and literature and charting a new path for a futural philosophy.
A defence of Modernism against its defenders.
An aesthetics of the economy for the twenty-first century.
Examining the recent changes in the labour of an artist and addressing them from the perspective of performance.
A scintillating critical survey of the "cold worlds" of Romantic poetry, black metal, teenage angst and terrorism.
This book proposes a theory of architectural failure; a radical way to approach memory and history in the city.
Where now for the secret, the contemplative, the quiet and subterranean in our cities? The question may no longer be what spaces we wish to engage with but when we do.
Can games be art or is all art a kind of game? A philosophical investigation of play and imaginary things.
There is no absolute truth but there is absolutely everything
Levinas Unhinged presents philosopher Emmanuel Levinas as a metaphysician racked by the sensuous, and often terrifying, materiality of existence.
The book traces the multiple meanings of art to their various sources, and equips the reader to choose between them.