In 2012, Thomas Gardner and Salomé Voegelin hosted a colloquium, entitled "Music - Sound Art: Historical Continuum and Mimetic Fissures", at the London College of Communication, University of the Arts London. This colloquium dealt with the current fervent debate concerning the relationship between sound art and music.
This book proposes the opening of the colloquium to a wider readership through the publication of a decisive range of the material that defined the event.
A study of Jewish identity politics
Why People Get Rothko But Don't Get Stockhausen
All the songs of David Bowie from '64 to '76
Imagining the Next Millennium of Human Music-Making
Pop-cultural wars on class and gender
Rhian E. Jones
Essays on Fame, Death, Punk
Essays on Contemporary Art and Politics
Marc James Léger
pop music, feminism, neoliberalism
Identity, Status, Structure and The Stranglers
Black Metal Theory and Ecology