Boredom and Art examines the use of boredom as a strategy in modern and contemporary art to resist or frustrate the effects of consumerism and capitalism. This book traces the emergence of what Haladyn terms the will to boredom in which artists, writers and philosophers actively attempt to use the lack of interest inherent in the state of being 'bored' to challenge people. Instead of accepting the prescribed meanings of life given to us by consumer or mass culture, boredom represents the possibility of creating meaning: ‘a threshold of great deeds’ in Walter Benjamin’s memorable wording. It is this conception of boredom as a positive experience of modern subjectivity that is the main critical position of Haladyn's study, in which he proposes that boredom is used by artists as a form of aesthetic resistance that, at its most positive, is the will to boredom.
A defence of Modernism against its defenders.
An aesthetics of the economy for the twenty-first century.
Examining the recent changes in the labour of an artist and addressing them from the perspective of performance.
A scintillating critical survey of the "cold worlds" of Romantic poetry, black metal, teenage angst and terrorism.
This book proposes a theory of architectural failure; a radical way to approach memory and history in the city.
Where now for the secret, the contemplative, the quiet and subterranean in our cities? The question may no longer be what spaces we wish to engage with but when we do.
Marc James Léger
Brave New Avant Garde provides an unexpected exploration of critical strategies for anticapitalist cultural theory and practice.
Can games be art or is all art a kind of game? A philosophical investigation of play and imaginary things.
There is no absolute truth but there is absolutely everything
Levinas Unhinged presents philosopher Emmanuel Levinas as a metaphysician racked by the sensuous, and often terrifying, materiality of existence.